Layering Techniques for Paper Crafters, Part 3

Happy Friday, y’all! Scraps, here, with part 3 of the fabulous Layering Techniques video series by Alchemist Amy!

In  case you missed them: part one is here, part two is here.

In this final part we get to see how Amy arranges her embellishments, adds items that will lead the eye where she wants it to go (very important when you’ve got a lot of elements in play!) and ponders the ever present question: Does it need just one more thing?

I love it when a page comes together! And this series was like looking over Amy’s shoulder throughout the whole process.

Awesome work, Amy, on the layout and the videos! And is anyone else itching to get their hands on that Moshi Moshi kit–it can’t be just me!

Until next time!

~Scraps

Layering Techniques for Paper Crafters: Part Two

Hi everyone! Maggi here to share the second video in a three part series on layering techniques from Alchemist Amy! (Part one is here)

Don’t forget to join us on Friday for part three!

Now go glue something awesome onto some awesome something!

Maggi

Layering Techniques for Paper Crafting, Part One

Good morning everyone!  Marilyn here, with a brand new video from Alchemist Amy.  Today, using elements from the Moshi Moshi Kit, Amy is going to give us her take on the technique of layering and demonstrate for us how to get started (we also get a sneak peek at the final product-LOVE!).  So without further ado or to-do, Amy, show us your stuff……………….

Thank you Amy.  Extremely enlightening and easy to understand!  I loved the part about using a horizon line to give you a starting point and help draw the eye, through the use of layers, to the main focul point (the picture or subject).  This is something I never considered and a definite “must do” my next time in the studio.  It will make layering sooooo much easier!

Folks, hang around because on Wednesday, May 16th, Maggi is going to share with us the second installment of Amy’s layering technique and on Friday, May 18th, Jenn (aka Scraps) is going to share the third and final installment.  Now, I’m off to find my scissors, glue, and paper.  It’s layering time people!

Until later…………………
Smiles~
Marilyn

Blended Paper Backgrounds

Greetings and salutations! Scraps, here, with a fantastic technique two-fer from Alchemist Jo!

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Jo: One of my favorite backgrounds is a blended paper background.  I learned the basic technique from Mary Green when I took her online classes–”Your Vintage Gluebook” and “Collage Coterie”–and have further developed it to suit my style.  I’ve prepared two 4″x6″ postcards to show two variations on the theme.

Firstly, I covered both postcards with pieces of book pages, torn and randomly stuck to the postcards with a gluestick.

Map pages are good, and handwritten letters, receipts, and postage stamps add interest, too. Gauche Alchemy has fab packs of  foreign text paper which would be perfect for a project like this!

For the White Gesso Background

Over the basic blended paper background I added a coating of white gesso.  This can be thinner in some places than others and it’s great to allow some of the background paper to show through.  Remove any excess gesso with a paper towel.  While the gesso is still wet, stick on some pieces of masking tape, making sure it’s well adhered by smoothing down with a bone folder or similar tool.

Allow to dry.  No, don’t just count to 30 and then carry on–walk away and go to bed.  It’s best to leave it overnight otherwise when you try and remove the tape it’ll take all the collaged paper with it, which is NOT the effect I think you’ll want!  So, once totally dry, peel off the masking tape which will remove some of the gesso and, hopefully, the top layer of some the paper.  Don’t be too gentle when removing the masking tape, think of it as taking a plaster off a cut knee! [Scraps: That's a band-aid to those of us in the States ]

Mmmm, this looks so scrummy, I love it!  I then roughly smeared Distress Inks round the edges (Dusty Concord and Peeled Paint).  Where the gesso has been removed by the masking tape, the Distress Ink will be a much stronger colour.

Using your normal everyday inkjet printer print out your chosen image.  I often use The Graphics Fairy, who has a wonderful selection of images which are free to use.  For this postcard I chose a wonderful moth image.  Remember to flip the image because when it is transferred it will be a mirror image.  Especially remember this if there is writing or numbers on the image that you want to be the right way round.  Allow the ink on the copy to totally dry, not overnight this time but I would allow about half an hour.  Cut out the image and, using a paint brush, coat the IMAGE SIDE of the paper with matte Mod Podge (or similar).  Stick this face down onto your background, making sure there are no air bubbles and, if possible, brayer firmly to totally stick it.  Try and avoid getting the Mod Podge on the back of the paper as this will make it harder to remove later (actually, virtually impossible!).

IMPORTANT: ALLOW THIS TO DRY OVERNIGHT!

Now comes the magic bit!  Wet the back of the image with clean water (I use a wet paintbrush).  With your finger, gently rub in a circular action.  The image’s paper backing will start to lift in small rolls of paper.  It’s quite messy, but keep with it, adding more water if it starts to feel a bit dry.  Even though you are being careful, some of the image may lift with the backing paper.  That’s OK!  If you wanted a perfect image you’d have simply stuck down the picture, right?  Leave it a few minutes; if there is a white fuzz on your image, then just wet the image again and rub gently, more backing will be removed.

As you can see I lost a bit of the moth’s wing, but I’m quite happy about that )

I used a quote by Sara Teasdale, rubber stamped onto old book paper and edged with Distress Inks.

For the Clear Gesso Background

Taking the basic blended paper background, I brushed on a coat of clear gesso to seal the background and to provide a decent ‘key’ for the image to adhere to.  The background will, this way, show through clearly.  I dragged Distress Inks round the edges (Dusty Concord and Peeled Paint).  Once dry I cut out my chosen printer copied image (again from The Graphics Fairy), brushed a coat of matte Mod Podge onto the image and put the image face down onto the blended paper background.  Ensure good adhesion by firmly brayering it.

LEAVE IT TO DRY OVERNIGHT.

Wet the image with clean water and gently rub the image backing.

The background is clearly seen through the image, giving rather a dreamy,vintage and/or ghostly effect.

I drew with a charcoal pencil round the image, smudging it with my finger – this adds some depth (another tip learnt from Mary Green‘s classes).  I also used the charcoal pencil around the edge of the postcard and around the title, taken from an old book.  I used rusty wire to attach the old rusty key to the card.

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I usually go for the instant gratification projects, myself, but this techniques shows that the old saying is true: good things come to those who wait!

~Scraps~

Behind the Scenes of Misty’s Show Stoppers Mini Album

Hi there! Scraps back with a closer look into some of the details of the mini-album from Alchemist Misty!

Last week we took a page-by-page peek into the mini-album Misty created with the new Show Stoppers Mixed Media Paper Craft Kit. Now we’re going to take a look at 2 of the techniques she used inside the book.

Collaged & Distressed Background Pages

You’ll need:

Show Stoppers Kit
Gesso
Mod Podge
Mists
Sovent ink pad
A straight-edged tool of some sort

Misty: Prepare the backgrounds for all of the inside pages (Sav[ing] the front cover for the last step).

To prepare the pages, cover with Mod Podge, then create a collage by gluing down random sections from the magazine pages.  Then top off with another coat of Mod Podge.

Once the glue has dried, use a straight edge tool like an old room card or credit/gift card and distress the collage by scraping bits of gesso over the top.

After that has dried, ink up your ticket stamp with a solvent ink like Stazon, and then randomly add stamping.  Since we are using this as a distress technique try not to get a perfect stamped image.

A close-up of the distressed and stamped background.

Paper and Fabric Flowers

You’ll Need:

Show Stoppers Kit
Scissors
Paint Brush
Glue
Mists
Heat Gun
Fabric
Button

The flower is made out of large heart shapes cut from the pattern paper in the kit.

First, I cut out the heart shapes, and then with the end of a small paint brush I curled the edges under.

Scraps: When I first learned to make these sorts of flowers, I had a bobby pin handy and used that on the petal ends, sort of like a quilling tool. It makes awesome, tight curls and then slips right out without having to uncurl the petals!

Once that was finished I started to assemble the flower by gluing the hearts together at the ends, slightly overlapping each other.

Keep adding layers until your flower looks nice and full.  Then mist in your color choice, scrunching the flowers slightly towards the middle (you may have to curl some of your edges again).  Then use the heat gun to dry…this will urge the “petals” to curl up a little more.

Then add a middle.  Here I used a bloom from a rose ribbon and added an elegant button that came in the kit.

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You know, I’ve always started my paper flowers from the center and worked outward. That way does make it easy to stop when you’ve got a full-enough flower, but you end up with the problem of a stem end to deal with if you’re not making a bouquet. I think it’s pretty genius to work from the bottom up if you’re planning to place them on a page, what about you?

~Scraps~

How to Make a Book from Scrapbook Paper

Hi everyone! Maggi here to share another project from this month’s guest designer, Lenna Young Andrews! She created this awesome book using our Showstoppers Kit and the best part is she gave us a step by step so you can create your own!

Take it away, Lenna!

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Here’s a Gauche instant book!

Take a piece of 12×12 double sided cardstock from the Showstoppers Kit. I picked Basic Grey’s Life of the Party: Popcorn Poppin:

Score the paper at 3”, 6” and 9” in 2 directions so you end up with (16) 3” squares:

Cut on the middle score line (the 6” one) just 9” up -so the paper is still intact:

Turn the paper 180 degrees and cut 9” up on both the 3” and 9” score lines:

Start at one corner and fan fold (back and forth) on the scoring lines you made until the paper is all folded up. Watching this video by Tim Holtz may help you to understand how to do it. This is not hard to create, but I think visual instruction will help:

Before you do any gluing or taping, your instant book will look something like this:

There are 3 pages which can be made into pocket pages because they are open on one end:

I used tissue tape to seal the sides and create the pocket pages of this little book:

I also used Tissue tape for the side binding of the book, but any decorative tape will do:

You can see the 3 pocket pages and how I cut an slight opening to make it easier to see the contents of the pocket:

I used the Tim Holtz Ticket stamp from the kit and StazOn permanent ink to decorate the front cover:

From the kit I also enjoyed using the “Admit One” tickets, “Questions” Trivia Card, Groucho Marx patch, the yellow feather (in a pocket!) . . . and I cut a heart out of the sequin fabric that was in the kit to embellish the pages. I used various rubber stamps to decorate the pages and tucked some of my own photos of my husband & I on a date into one of the pockets. I hand wrote a few notes and slyly gave this to my husband before sharing it here with you!

Click for larger view!

Enjoy!

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That is too cool Lenna!!!

Don’t forget to grab your very own Showstoppers Kit in the Gauche Alchemy store! (And throw in some washi tape while you’re at, eh?)

Now go glue something awesome onto some awesome something!

Maggi

Easy Steps for Adding Texture to Any Background

Hi everyone! Maggi here to introduce a guest poster for today. She’s sharing a background technique that I personally have used a couple of times already, it is just that awesome! (I kind of want to make out with it a little bit.) Take it away, Julie!

Hi! My name is Julie Tucker-Wolek and I have been scrapping for about 15 years!!

About 3 years ago, I really got into altering stuff!! I will alter anything! I go to antique stores and scour the aisles looking for things to alter. Lately, I have been making canvases. I have seen people paint them, cover them in paper etc…. and I decided to find a way to create ‘texture’ to my canvases without adding a lot of product to them! So today I wanted to share my way of transforming a canvas to make it look like you added a lot of texture!

First, I paint my canvas:

Next, while the paint is wet, I mist it:

Next, I take an old dress pattern, (if you don’t have a dress pattern, you can also use tissue paper)

Next, I ‘squish’ (such technical words here! lol!) the dress pattern all over the canvas:

Then I remove the dress pattern and there you have texture!!

And here is one of my canvasses with my technique in use:

And here are some extra tips! I mist stuff on my kitchen counters – to prepare for this, I lay down paper towels, and then to make sure that my canvas doesn’t stick to the paper towel (with the wet paint and mist), I lay down either an old plastic bag from a scrapbook kit that I have or in most cases I lay down wax paper!  I hope you find this technique helpful and fun!! Thanks for letting me share it!

Have a great day!

Julie Tucker-Wolek
http://thetuckerwolekclan.blogspot.com/

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Thanks so much for sharing this fantastic technique with us, Julie! I just LOVE it! Although I’ve recently realized that I’ve been leaving the pattern paper ON instead of taking it off! Just goes to show, you can always add your own twist. LOL Make sure to check out Julie’s blog for more scrappin’ and alterin’ goodness!

Now give this a try and then go glue something awesome to it!

Maggi

How To Make Your Own Spray Mists

Hi everyone! Maggi here with our newest tutorial, brought to you courtesy of Alchemist Misty. Today Misty is going to teach you how to make your own mists. Misty’s Mists are a great way to get a wide range of colors in your mists collection at a fraction of the cost. Take it away, Misty!  (That paragraph sets the world record for the most use of the word, “Mist”.)

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Anyone who knows me, knows that I like to layer on the ink, paints and mists on my projects. Unfortunately, I found myself being very frugal with my misting because it seemed like I could go through half a bottle on one project! At $7-$8 a bottle, it was really tough trying not to break the bank just to satisfy my love for misting. So I was determined to find cheaper ways to make it happen. I tried the paint, pearlex and glue idea, and while it got me through some broke times, it just didn’t come close to being as good as some of the big name mists.

Misty used her collection of homemade mists on this art journal cover.

So I kept looking and recently, while searching through the paint department at my local Hobby Lobby, I came across Dr. Ph. Martins bombay india inks. The package said that they would work on most any surface and could be used for stamping, calligraphy and airbrushing…oh, and they were archival safe. I figured why not try to make some mists with it. So, with my 40% off coupon in hand I ended up getting 12-.5 oz bottles of ink for less than $20.

Aside from these inks being fairly inexpensive, I love them for two big reasons. For one, they are a permanent, waterproof ink. I love this, because I am one to layer…and layer…and layer! Unfortunately, when I would use other mists, I would have problems with the colors smearing and running together when adding my layers (even if I let that first layer dry completely).

Here’s a comparison of my homemade mists (on the left) and store bought mists (on the right):

With the Dr. Ph Martin inks, the ink dries faster and even if I layer while my paper is still wet it usually doesn’t mix together making a mucky mess. So that is my biggest reason for loving them. My second reason is because I can make my mists as light or as dark as I want them to be…and I can alter some of the colors by mixing them together to make my own custom colors. Plus, I had 3 or 4 different colors of perfect pearl pigment laying in my stash that I was rarely using. It is a perfect way to add different colors of shimmer to my mists.

So here’s what you need:

-Small spray bottle.
-Water
-Dr. Ph. Martins Bombay India Ink set
-Rangers perfect pearl pigment (if you want to add shimmer)
-Small paint brush

I used a 2oz spray bottle and filled it up only about a 1/3 of the way full with water. I feel that if I do it in small amounts its easier to control the vibrancy of the color and I can always add water if its darker than I would like. Plus, I think it helps me to keep tabs on how low my ink is getting so I will know when to restock.

Once I’ve added the water, I choose my ink and start adding it to the water with a dropper (one comes in the package of inks). I like rich, vibrant color so I usually add about 3 ink droppers full to get the color that I desire. Sometimes if I’m just wanting a small tint of difference, I might add another color but usually not more than half of the dropper full at a time, because it can drastically change the color! I personally have just used the ink like this and loved it but sometimes I just like to have some shimmer, so that’s where the perfect pearls come in.

If you like a project, to glisten you can easily add it with perfect pearls pigment. Just scoop up some pigment onto the end of a small paintbrush and drop it into your mist, then shake it from side to side and its ready to be tested. If you try it and decide you want more shimmer, just add another scoop. See! It’s so easy!

Another awesome usage of homemade mists!

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Now go glue something awesome onto some awesome something!

Maggi

Paint Messin’ with Cheryl

Hi everyone! Maggi here to present the newest video from our own Alchemist Cheryl!

Today, Cheryl is getting messy with paint and plastic bags. She shares a great technique that you will definitely want to use on the background of your next project!

Now, get out your paints and plastic bags, give this technique a try and then go glue something awesome onto it!

Maggi

Chrissy’s Cabochon DIY

HALLO!

Michelle here!

Imagine my deeply felt chagrin when Christina revealed that she had made her own beautiful cabochons for half the price! What’s more? The ones she made were better!

Luckily Chrissy will now share how she did it with us- WIN!

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Here’s the down and dir-tay on my latest addiction, making my very own cabochons with silicone molds.  I’ve seen cabochons in shops and I loooooove ‘em.  But the truth is, I can’t afford to buy them all up!

Thanks to my crafty friend Jess, I was introduced to these silicon molds sold through MoldMuse on Etsy.  The molds are ridiculously easy to use and the best part, besides their reasonable price tag, is that you don’t need a releasing agent once the cabochon is finished baking!  Talk about awesome for babe on a budget!

Christina used Sculpey clay to make her DYI cabochons.

Never fear because this Mama is here to show you lovely femme fatales how to use them!  Grab a mimosa, adjust your thigh highs, sit back and soak it aaaaall in!

The very first thing you wanna do is grab your supplies.  All you need is a preheated oven (275 degrees F), any bake-able polymer clay (I used Sculpey), and the mold of your choosing.  I used Big Open Rose, Lolita, and a Frame.

You may need to work the clay a bit to soften it up.  Once it’s softened, roll it into a ball.

Next, mash it down in there.  And I mean MAAAAASH it down.  Don’t worry.  Your buffed up arms from those gym workouts or wine glass curls aren’t going to damage the molds any.  It is absolutely important to make sure you get that clay down into the crevices.  You don’t want any airbubbles in there because then your cabochon will either break or come out looking less than stellar.

Once your clay is worked down in there, you may need to add a little bit more to fill the mold up to the edge of the cutout.  Add it using the same method as before.  Roll it into balls then mash your balls ::snort:: into the mold.  You don’t want any excess over the edge of the mold because you’ll end up with a lip on the finished product that you’ll have to file off.

Once your mold is filled, set it aside.

If that’s all you plan on doing, then go on ahead and pop that bad boy in the oven.  Heat it according to the directions on the Sculpey clay packaging.  I baked mine for about 16-17 minutes depending on how thick the cabochon is.

You can also carefully take the molded clay out of the mold and set it on a foil covered cookie sheet and make more cabochons then bake them as a batch.

Now, if you decided to get the Big Open Rose mold, here’s how to do a 2-toned cabochon.

Fill your mold just as you would a “regular” mold.  The only difference is that you don’t fill it completely with one color.

Leave the area with the leaf imprints blank.

Next, fill the empty section where the leaves are, fill it with the second color you want to use.  Fill it in sections, one leaf at a time, using small balls ::snicker:: of clay.

If you are baking the clay in the molds, then just pop them all in the oven as is.

Once they are all done baking, let them cool in their molds completely.

Once they have cooled, pop those li’l baddies out and admire!

Voila!

LOVE these colors!

Molds used:

Big Open Rose:
(http://www.etsy.com/listing/70127566/rose-flower-mold-cabochon-flexible)

Lolita Cameo:  (http://www.etsy.com/listing/74138420/lolita-day-of-the-dead-skull-cameo)

Cabochon Setting Frame:
(http://www.etsy.com/listing/90873470/cabochon-setting-frame-mold-for-18mm)

So what do you think? I think we’re up to the challenge! If you decide to take the plunge and try this out for yourself be sure to drop by and leave a link to your blog here so we can admire you handi work!

Chells out!

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